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Date :
28-29 mars 2025

Titre :
Associations, réseaux, cercles et salons Regroupements de professionnel.le.s et industrie du cinéma (1917-1961)

Université Paris 8, Université Montpellier Paul-Valéry
Colloque International

 

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Associations, réseaux, cercles et salons Regroupements de professionnel.le.s et industrie du cinéma (1917-1961)
Associations, Networks, Circles, and Salons: Rethinking Peripheral Gatherings in the Film Industry (1917-1961)
Crédit photographique : Tournage de La Prière aux étoiles (1941), © Marcel de Renzis – coll. CCIAMP

28 et 29 mars 2025

INHA, Salle Vasari
2, rue Vivienne 75002 Paris

Détail du programme
9h30 | Accueil/Welcome
9h50

Introductory Remarks Through the Study Case of Vladimir Pozner
Claire Demoulin (Université Montpellier Paul-Valéry), Katalin Pór (Université Paris 8/Institut Universitaire de France)

PANEL 1

Espaces informels/Informal Spaces (chair Valérie Pozner)

10h20

Locating Community Hubs: Using Legal Addresses as Clues to Study Networking Among Immigrant Film Professionals in France (1924-1930)
Nataliya Puchenkina (Université de Caen)

11h10 | Courte pause/Small break
11h20

With Paprika and Love: Revisiting the Notion of “Third Place” in the Context of the Network of Eastern European Film Emigration in the 1930s
Janka Barkoczi (National Film Institute of Hungary)

12h10

Credit to the Artists! A Roman Trattoria at the Heart of Post-War Cinema and Art
Frederico Lancialonga (Université Paris 1) — Intervention en français/Talk in French

13h-14h30 | Déjeuner/Lunch break
PANEL 2

Réseaux transnationaux/Transnational Networks (chair Benoît Turquety)

14h30

Friendly Connection: Kortner, Eisler, Brecht and Their Work and Impact on Pagliacci (1936)
Helmut G. Asper (Emeritus Prof. University of Bielefeld)

15h20

Fred Zinnemann’s Transatlantic Network and Creative Circles
Imme Klages (Johannes Gutenberg-Universität Mainz)

16h10

The Shadow of Neorealism. Transnational Mediators and Cultural Transfers Between the U.S. and Italian Cinema (1943-1949)
Valerio Coladonato (Università di Roma La Sapienza), Damiano Garofalo (Università di Roma La Sapienza)

17h | Cocktail
PANEL 3

Du groupe à la constellation sociale?/ Of Groups and Social Constellations (chair Chloé Delaporte)

9h30

From a Magazine to a Production Company: The Augustus-Cinematografo Group
Fabio Andreazza (Università di Chieti-Pescara)

10h20

Marcel Pagnol: The Art of Networking to Build a Film Independent Career
Morgan Lefeuvre (Queen Mary University)

11h10

Family Dynasties and Social Capital in the Film Industry: Cómicos (1954), by Juan Antonio Bardem
Luis Cemillan (Universidad Carlos III de Madrid)

12h-13h30 | Déjeuner/Lunch break
PANEL 4

Réseaux et échelles d’analyse/Scales of Analysis: Regional, National and International Networks (chair Nedjma Moussaoui)

13h30

IDHEC: A Film School at the Heart of National, Imperial and International Professional Networks (1940s-1960s)
Gabrielle Chomentowski (CNRS), Marie-Pierre Bouthier (Université de Picardie) — Intervention en français/Talk in French

14h20

Three Visits to Salvatore Giuliano: A Film Set in Sicily as Southern Crossroads of Italian Cinema
Matthieu Combe (Université Paris 8)

15h10 | Courte pause/Short break
PANEL 5

Réseaux informels et résistance politique/ Informal Networks and Political Resistance (chair Claire Dutriaux)

15h20

The Egyptian Connection(s): A Celluloid Battlefield in the French Colonial Empire
Morgan Corriou (Université Paris 8)

16h10

Networks of Cinema Entrepreneurs in Nazi-Occupied Thessaloniki. A Look Through Antisemitic Policies
Mélisande Leventopoulos (Université Paris 8), Nefeli Liontou (Université Paris 1)

17h

Remembering the Kinor Cooperative: A Circle of Creators on the Fringes of the Polish Film Industry (1945-1949)
Mathieu Lericq (Université Paris 8) — Intervention en français/Talk in French

17h50-18h | Conclusion du colloque/Closing words
ESTCA